Forgotten Axis: Murmansk 1941
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Forgotten Anzacs: The Campaign in Greece, 1941
$34.35 DIVP style=MARGIN: 0in 0in 0ptDetailing lesser-known facts surrounding the legend of the Anzacs, this study offers the largely obscure story of their campaign during World War II. Comprehensive and gripping, this examination follows the group on their long retreat through Greece while depicting uncanny similarities to the original Gallipoli operation a generation earlier. Based on rarely accessed archives and more than 30 interviews with Australian, Greek, and New Zealand veterans, this superb narrative gives overdue recognition to the brave, forgotten Anzacs of 1941./P/DIVDIVP style=MARGIN: 0in 0in 0ptBPeter Ewer/Bis an official in the Victorian Department of Justice and has published in local and international history journals. He is the coauthor ofIUnions and the Future of Manufacturing/Iand the coeditor ofIVisions for Victoria/I./P/DIV |
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1941
$11.97 1941 |
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1941
$12.97 1941 |
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1941
$19.95 1941 |
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1941
$21.66 1941 |
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Forgotten Anzacs: The Campaign in Greece, 1941
$42.28 No Synopsis Available |
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Forgotten Anzacs: The Campaign in Greece, 1941
$25.95 No Synopsis Available |
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Forgotten Anzacs: The Campaign in Greece, 1941
$43.15 No Synopsis Available |
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Forgotten Anzacs: The Campaign in Greece, 1941
$43.15 No Synopsis Available |
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Forgotten Anzacs: The Campaign in Greece, 1941
$26.48 No Synopsis Available |
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FORGOTTEN (+)
$4999.99 FORGOTTEN (+) |
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Forgotten
$1.29 Forgotten |
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The Forgotten
$1.29 The Forgotten |
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The Forgotten
$1.29 The Forgotten |
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Forgotten
$1.29 Forgotten |
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The Forgotten
$4.97 The Forgotten |
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The Forgotten
$2.97 The Forgotten |
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The Forgotten
$29.96 The Forgotten |
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Forgotten
$6.29 Forgotten |
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Forgotten
$13.75 Forgotten |
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The Forgotten
$12.47 The Forgotten |
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Not Forgotten
$14.96 Not Forgotten |
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The Forgotten
$13.5 The Forgotten |
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FORGOTTEN
$25.64 FORGOTTEN |
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Not Forgotten
$7.99 Not Forgotten |
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Forgotten
$18.86 Forgotten |
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Forgotten
$9 Forgotten |
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Not Forgotten
$13.01 Not Forgotten |
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Forgotten
$8.27 Forgotten |
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Forgotten
$10.99 Forgotten |
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Forgotten
$9.99 Forgotten |
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Forgotten
$11.99 Forgotten |
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Forgotten
$17.99 Forgotten |
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Not Forgotten
$16.99 Not Forgotten |
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But Not Forgotten:
$118.9 But Not Forgotten: |
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1941
$20.89 Buy and sell [1941] at great prices. |
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1941
$36.95 Buy and sell [1941] at great prices. |
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1941
$9.98 Buy and sell [1941] at great prices. |
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1941
$20.89 Buy and sell [1941] at great prices. |
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1941
$15.4 Buy and sell [1941] at great prices. |
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1941
$14.95 Buy and sell [1941] at great prices. |
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1941
$14.75 Buy and sell [1941] at great prices. |
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1941
$5 Buy and sell [1941] at great prices. |
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1941
$4.22 Buy and sell [1941] at great prices. |
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Forgotten Anzacs
$29.89 Detailing lesser-known facts surrounding the legend of the Anzacs--an army formation made up of Australian and New Zealand troops--this study offers the largely obscure story of their campaign during World War II. Comprehensive and gripping, this examination follows the group on their long retreat through Greece while depicting uncanny similarities to the original Gallipoli operation a generation earlier. Based on rarely accessed archives and more than 30 interviews with Australian, Greek, and New Zealand veterans, this superb narrative gives overdue recognition to the brave, forgotten Anzacs of 1941. |
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The Forgotten Village
$20 The novelist who wrote "The Grapes of Wrath" and the director who produced "Crisis and Lights Out" in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but "The Forgotten Village" is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale. |
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The Forgotten Village
$20 The novelist who wrote "The Grapes of Wrath" and the director who produced "Crisis and Lights Out" in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but "The Forgotten Village" is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale. |
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The Forgotten Village
$20 The novelist who wrote "The Grapes of Wrath" and the director who produced "Crisis and Lights Out" in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but "The Forgotten Village" is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale. |
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The Forgotten Village
$20 The novelist who wrote "The Grapes of Wrath" and the director who produced "Crisis and Lights Out" in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but "The Forgotten Village" is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale. |
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The Forgotten Village
$20 The novelist who wrote "The Grapes of Wrath" and the director who produced "Crisis and Lights Out" in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but "The Forgotten Village" is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale. |
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1941
$17.98 1941 : Texas Goes to War by Lee, and James Ward/ Barnes, and Carolyn N./ Bowman, and Kent A./ Crow, and Laura Published in 1991 by University of North Texas Press |
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FORGOTTEN FEW
$28.98 By the beginning of 1941 there was a fully fledged Polish Air Force operating alongside the RAF. With 14 Squadrons it was larger than any other of the Air Force from Nazi-occupied Europe that had joined the Allies. Over 17,000 men and women passed through the ranks of the Polish Air Force while it was stationed in the UK.They shot down 745 enemy aircraft, with a further 175 unconfirmed. They dropped thousands of bombs and laid hundreds of mines, flying 102,486 sorties notching up a total of 290,895 operation flying hours. They achieved this at a cost of 1,973 killed and 1,388 wounded. They won 342 British gallantry awards. |
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The Forgotten Few
$16.27 By the beginning of 1941 there was a fully fledged Polish Air Force operating alongside the RAF. With 14 Squadrons it was larger than any other of the Air Force from Nazi-occupied Europe that had joined the Allies. Over 17,000 men and women passed through the ranks of the Polish Air Force while it was stationed in the UK. They shot down 745 enemy aircraft, with a further 175 unconfirmed. They dropped thousands of bombs and laid hundreds of mines, flying 102,486 sorties notching up a total of 290,895 operation flying hours. They achieved this at a cost of 1,973 killed and 1,388 wounded. They won 342 British gallantry awards. |
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1941
$12.97 Recorded in 1941 when {$the John Kirby Sextet} was at the height of its powers and popularity, this album consists of 14 mostly brief performances cut as radio transcriptions. Clocking in between 1:47 and 3:05, the selections feature concise solos from tr |
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Tobruk 1941
$17.95 Tobruk 1941 |
![1941 [CD]](http://www.deepdiscount.com/resources/deepdiscount/images/products/processed/50/030206583229.zoom.1.jpg)
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1941 [CD]
$13.29 1941 [CD] |
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June 1941
$11.25 June 1941 |
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Iraq 1941
$17.05 Iraq 1941 |
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Orchestra: 1941
$12.97 Orchestra: 1941 |
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1940 & 1941
$12.97 1940 & 1941 |
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Moscow 1941
$10.18 Moscow 1941 |
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1940 & 1941
$10.99 1940 & 1941 |
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Spring 1941
$18.62 Spring 1941 |
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Suspicion (1941)
$11.99 Suspicion (1941) |
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Timeline - 1941
$75.03 Timeline - 1941 |
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Metempsychosis 1941
$12.48 Metempsychosis 1941 |
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1941 : 762247412625
$14.47 1941 : 762247412625 |
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1941 : 2246552311
$7.31 1941 : 2246552311 |
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1941
$8.99 Steven Spielberg's 1941 is a big-budget zany comedy detailing the hilarious panic that gripped Los Angeles after the Japanese attack on Pearl Harbor. Army General Joseph Stilwell (Robert Stack) is in charge of protecting the Californian coastline in the weeks following Pearl Harbor. Dan Aykroyd and John Candy are members of a tank crew responsible for setting up a cannon in Ned Beatty's backyard. As explosions burst forth and air-raid sirens scream, John Belushi, Tim Matheson, and Treat Williams are part of the army corp reacting to the news of war with a somewhat energetic craziness. They dance at the USO, compete with each other to get the prettiest girls, and watch as Hollywood Boulevard becomes a pile of ruins. The film features cameos by many Spielberg friends and associates, including directors Sam Fuller and John Landis and actors James Caan, Mickey Rourke, Penny Marshall, and Susan Backlinie, reprising her famous skinny-dip from the first scene in JAWS. Michael McKean and David Lander, otherwise known as Lenny and Squiggy from LAVERNE AND SHIRLEY, play Willie and Joe--a hat's-off salute to Bill Maudlin's famous World War II cartoon characters. The film suffered from critical venom upon its initial release but has since become a cult fave. |
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1941
$7.59 Steven Spielberg's 1941 is a big-budget zany comedy detailing the hilarious panic that gripped Los Angeles after the Japanese attack on Pearl Harbor. Army General Joseph Stilwell (Robert Stack) is in charge of protecting the Californian coastline in the weeks following Pearl Harbor. Dan Aykroyd and John Candy are members of a tank crew responsible for setting up a cannon in Ned Beatty's backyard. As explosions burst forth and air-raid sirens scream, John Belushi, Tim Matheson, and Treat Williams are part of the army corp reacting to the news of war with a somewhat energetic craziness. They dance at the USO, compete with each other to get the prettiest girls, and watch as Hollywood Boulevard becomes a pile of ruins. The film features cameos by many Spielberg friends and associates, including directors Sam Fuller and John Landis and actors James Caan, Mickey Rourke, Penny Marshall, and Susan Backlinie, reprising her famous skinny-dip from the first scene in JAWS. Michael McKean and David Lander, otherwise known as Lenny and Squiggy from LAVERNE AND SHIRLEY, play Willie and Joe--a hat's-off salute to Bill Maudlin's famous World War II cartoon characters. The film suffered from critical venom upon its initial release but has since become a cult fave. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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1941
$13.98 Recorded in 1941 when the John Kirby Sextet was at the height of its powers and popularity, this album consists of 14 mostly brief performances cut as radio transcriptions. Clocking in between 1:47 and 3:05, the selections feature concise solos from trumpeter Charlie Shavers, clarinetist Buster Bailey, altoist Russell Procope and pianist Billy Kyle, plus the group's trademark cool sound and flawless work on some rather tricky arrangements. Among the more memorable numbers are "Ida," "Coquette," "Front and Center," "Dawn on the Desert" and "Original Dixieland One Step." ~ Scott Yanow, All Music GuidePerformers: John Kirby - Bass, String Bass, Tuba; Billy Kyle - Piano; Russell Procope - Sax (Alto); Charlie Shavers - Trumpet |
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But Not Forgotten
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But Not Forgotten
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The Forgotten
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The Forgotten
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The Forgotten
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Forgotten
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Forgotten
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The Forgotten
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Forgotten
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The Forgotten
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Forgotten
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Forgotten
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Forgotten
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The Forgotten
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Forgotten
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The Forgotten
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The Forgotten
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